Minstrel Musical Theatre
This form of musical theatre is considered a black mark in
musical theatre history, both figuratively and literally. The most popular
shows on stage from the 1840s to the early 1900s debut White men with blackened
faces mimicking and representing what was assumed to be the Negro race for the
amusement of mainly other White people (However, people of all races were amused).
This born-and-raised American entertainment displayed racial hatred and
popularized stereotypes of Blacks as unsophisticated slaves and petty thieves
relishing in their adoration of “Massuh.”
In order to achieve “Blackface,” a cork would be burned, then
it could be smudged onto the face like make-up and ready for a show.
“Blackface,” was actually quite popular before its introduction to minstrelsy.
White men would engulf this “Negro” persona and attempt to sing, dance and talk
in Negro dialect. As a matter of fact, between the mid 1700s and early 1800s,
blackface was included in over 5,000 circus and theatre productions.
Cotton and Chick Watts Comedy Minstrel Show
http://www.youtube.com/watch?v=-_swtbIi2F0
Citation:
Kenrick, John. "A History of the Musicals: Minstrel Show." Musicals101.com. N.p., n.d. Web. 13 Apr 2013. <http://www.musicals101.com/minstrel.htm>.
Citation:
Kenrick, John. "A History of the Musicals: Minstrel Show." Musicals101.com. N.p., n.d. Web. 13 Apr 2013. <http://www.musicals101.com/minstrel.htm>.
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